The National Builders’ Struggle

The National Builders’ Struggle

Editor’s Note: The following is an article from Reason Magazine, originally published in the December 1972 issue. It covers multiple case studies of attempts at founding new libertarian countries in the 1960s and 70s, most inspired by the Free Isles Project, something Rayo was involved in early on. All credit…

Financial Independence: The Utility of Import-Export

Financial Independence: The Utility of Import-Export

Note: The following is an article by TVP host, Kyle Rearden, published on his blog, The Last Bastille.  “I often encourage folks who are preparedness-minded to develop a second income stream with a home-based business. Once you have that business started, then start another one…[a] successfully recession-proof home-based business is…

Samuel Konkin III (SEK3) on Rayo and Vonu: Different Approaches?

Samuel Konkin III (SEK3) on Rayo and Vonu: Different Approaches?

Author’s Note: Four articles by Samuel Konkin will be referenced in this article. Click here to view them. Get Rayo’s book for FREE in PDF/audiobook format HERE! http://www.libertyunderattack.com/wp-content/uploads/Documents/KonkinRayoSDFINAL.mp3 Download this spoken discourse. (MP3) | Download this article (PDF). If you were a libertarian/anarchist in the 1960s and 70s, southern California…

TVP #9: A Primer on the Servile Society

TVP #9: A Primer on the Servile Society

On this episode of The Vonu Podcast, Shane and Kyle discuss three concepts Rayo formulated, namely: Servile Society: A servile society could be defined as one that does not respect self-ownership or individual liberty, but rather heralds the supremacy of government and authority; in other words, it upholds the collective…

A Servile Society: The Value of Import-Export

A Servile Society: The Value of Import-Export

Note: The following is an article by TVP host, Kyle Rearden, published on his blog, The Last Bastille.  “The spectacle is the ruling order’s nonstop discourse about itself, its never-ending monologue of self-praise, its self-portrait at the stage of totalitarian domination of all aspects of life…[t]he spectacle is totally dogmatic,…